My Family Past

Dear Stefan,
My Family past, an INTRO.

I try to find out what FAMILY means to me and others.

Your film underlines my direction away from the center of what we think about a family towards the edges of what there is.
I can’t recall any of the experience your film reveals.

But because of my age I can look back to what family meant to me and what I value now.

I have certainly – and so have many others – gathered images of “OUR FAMILY” over the years. Most of them are on my computer HD. In the 60s I painted some of my relatives. But there are collections of photos and negatives I never looked at.

Dear Will

I’m pleased to announce my video ‘Dementia Painting’ is out now! I’d be grateful if you could view this short video and make a brief comment.

Dementia Painting sent 29th Dec 2022

My older brother

I kept sketches and a portrait I painted of my older brother in 1968.
In 2019 I took a snapshot of him on my IPhone, in the workshop where our great grandfather founded the company Thust, 200 years ago, in 1819.
My brother died in 2021.
I am glad to have these two pictures of him, they are telling.

Do I need memories like that ? Do I need additional stories ?
Does he deserve special attention within “THE FAMILY”?

I chose him because of the unavoidable bond between us. He was 4 years
older and I looked up to HIM,
not to my one year younger brother.

We 3 lived together in one room in two different places, for 17 years, the first one bigger than the second one in size. He was 9 when we escaped from the Russians. The journey affected us, but him more than me. After 1945 he often woke us up screaming fire, fire. I also woke up at night and didn’t dare to go to the loo. I shook my head noisily until a glimmer of light made me feel secure.

I felt my brother was odd, loud and not that clever but there was a fatherly distance between him and me. He was the top builder (Baumeister), I had my own ideas. I was chatty, my mother said, but shy to people outside the family. Silently I had my girlfriend Memmie.

Silently our warm and humorous aunt became my “mother” because my mother had to spend long periods away from us in sanatoriums to cure her TB when I was 4 to 10 years old. When she was around she rested in a veranda, a kind of glasshouse attached to the dining room, inside this beautiful country house that took us in as refugees.

Talking about a Glasshouse, an event that stayed in everybody’s memory in the “family” and with me more than what actually happened, needs to be told here. I was getting dressed by my aunt standing on the table in front of a comfortably sized window when a massive explosion covering me in glass head to toe that had to be very carefully removed and I to be reminded not to move. The fiddling creature I was had to stay motionless like a statue. The massive bridge over the river Weser very near to us leading into the town had deliberately been destroyed by Germans to stop the Americans coming in. This happened just before the end of the war and before American soldiers threw Kommissbrot and sweets to us children out of the back of their jeeps. I walked over “die Notbrücke” = temporary bridge to my primary school for 4 years.

I also bonded with another aunt who was paralyzed. She lived near the primary school I had to walk to every morning and to return at midday, a long way over the temporary bridge, all on my own. This aunt I ran to after school, squeezing my body through the hedge of the playground in order to meet her. She lived on the other side of the road. That way I avoided being followed by a group of boys who often waited in hiding. They put my face into puddles or scared me otherwise. This aunt wasn’t a member of our family, that didn’t matter. She was kind and played board games with me.